When placed on tracks that were not well recorded, I wasn't feeling the need to EQ and compress as much because I was hearing a sonic quality that was pleasing to my ear. On individual tracks like electric guitar, I noticed it made the track sound more full, punchy, and louder, even though the tracks were already well recorded and sounded good.

Phoenix is very DSP efficient, which is good since I fell into the habit of putting it on everything in a mix.

There's an input trim, a big knob that controls the effect amount, and three buttons affecting the color of the effect named Gold, Sapphire, and Opal. All share the same simple interface design. Phoenix is actually a set of five different plug-ins: Luminescent, Iridescent, Radiant, Dark Essence, and Luster. Phoenix requires a Pro Tools TDM system running on MacOS X or Windows XP with iLok authorization. It was that reputation that lured me to their web site to download the demo version. They are known for making audio gear that is well built and sounds amazing. Now let's begin.ĭave Hill and his crew at Crane Song created the Phoenix plug-in. I also own a Pro Tools HD rig that runs like a fine-tuned machine. I don't think any piece of technology can replace tape. I'll preface this review with the following, I have a 2'' 16-track at my studio, and I love it. Now here I am reviewing the new Crane Song Phoenix, a TDM plug-in for Pro Tools that simulates the characteristics of analog tape.

In the last several weeks while I was writing this review, Quantegy closed its doors for financial restructuring, Studer 24-tracks were listed on eBay for $7000 with Dolby SR, and the tape-using community began a frenzied quest to stockpile what remained of the dwindling tape supply.

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